Canon EOS 5D Mark II 21.1MP Full Frame CMOS Digital SLR Camera with EF 24-105mm f/4 L IS USM Lens
From Canon
Product Description
Compact, lightweight with environmental protection, EOS 5D successor boasts a newly-designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames. Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps -- for amazing quality footage with outstanding levels of detail and realism. The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.
Product Details
- Amazon Sales Rank: #2041 in Camera & Photo
- Brand: Canon
- Model: EOS 5D Mark II 24-105 IS
- Number of items: 1
- Dimensions: 3.00" h x 4.50" w x 6.00" l, 1.79 pounds
- Display size: 3
Features
- 21.1-megapixel full-frame CMOS sensor, 14-bit A/D conversion, wide range ISO setting 100-6400
- Includes Canon EF 24-105mm f/4 L IS USM lens
- DIGIC 4 Image Processor; high-performance 3.9 fps continuous shooting; Live View Function for stills
- Full HD video capture at 1920x1080 resolution for up to 4GB per clip ; HDMI output
- Updated EOS Integrated Cleaning System specifically designed to work with a full-frame sensor
Editorial Reviews
Amazon.com
Compact, lightweight with environmental protection, EOS 5D successor boasts a newly designed Canon CMOS sensor, with ISO sensitivity up to 25,600 for shooting in near dark conditions. The new DIGIC 4 processor combines with the improved CMOS sensor to deliver medium format territory image quality at 3.9 frames per second, for up to 310 frames.
Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps -- for amazing quality footage with outstanding levels of detail and realism.
The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full-frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.
Other improvements to the EOS 5D include:
Triggered from Live View Mode, HD video capture allows users to shoot uninterrupted at full 1080 resolution at 30fps -- for amazing quality footage with outstanding levels of detail and realism.
The integration of HD movie capability into a high-end 21.1-megapixel camera opens a multitude of new possibilities for photojournalists and news photographers. With its full-frame CMOS sensor and outstanding ISO performance, the EOS 5D Mark II will appeal to any photographer in search of the finest camera equipment available -- from studio and wedding to nature and travel photographers.
Other improvements to the EOS 5D include:
- Addition of Canon’s EOS Integrated Cleaning System, with a new Fluorine coating on the low-pass filter
- Larger 3.0-inch Clear View LCD with VGA resolution, a 170-degree angle of view and anti-reflective coatings
- Improved menu system including Quick Control Screen for more direct access to common settings
- Automatic peripheral illumination correction, utilizing detailed EF lens information to optimize JPEG images straight out of the camera
- Magnesium alloy construction with additional environmental protection
- UDMA memory card compatibility
EOS 5D Mark II Highlights
New CMOS sensor
The EOS 5D Mark II’s newly designed full-frame 21.1-megapixel CMOS sensor features ISO sensitivity from 100-6400, expandable to 50, 12,800 and 25,600. Large 6.4µm2 pixels have been redesigned to capture more light and yield a better signal to noise ratio to ensure lower noise images throughout the ISO range. The full frame sensor has the same dimensions as a frame of 35mm film. This means that wide-angle lenses stay wide, without the change in angle of view associated with smaller sensor cameras. As well as benefiting from finer control over depth of field, photographers moving up to the EOS 5D Mark II’s full frame format will find the newly designed wide, bright 98 percent coverage viewfinder on a joy to work with.
New DIGIC 4 processor
A new DIGIC 4 processor combined with 14-bit analogue to digital conversion provides smooth gradations in mono-tonal areas such as skies, and highly accurate color rendition. As well as HD movie shooting, DIGIC 4’s high speed provides for long uninterrupted continuous bursts of large JPEGs, near-instant start-up times and immediate and fast review after shooting. DIGIC 4 also provides for improved noise reduction algorithms, complementing the already low-noise images from the EOS 5D Mark II’s CMOS sensor.
HD video capture
The EOS 5D Mark II is Canon’s first DSLR to incorporate full HD 1920x1080 video capture. Once filming is started from Live View mode, photographers can fire off either single of continuous stills, with video capture continuing after the final frame is captured.
See everything
A new 3.0-inch VGA resolution LCD provides a wide 170 degree angle-of-view, providing plenty of clarity for accurate focus checks in playback. The screen brightness can automatically adjust to suit viewing conditions, extending battery life in low light and improving viewing in bright conditions. A new dedicated Live View button switches modes to display a real-time image on the LCD. This allows EOS 5D Mark II photographers to enjoy simplified shooting from awkward angles. Simple connection to a PC provides easy remote shooting.
Precision focus and metering
A 9-point auto focus system is supported by 6 additional invisible Assist AF points, located inside the spot-metering circle to optimise subject tracking performance in AI SERVO AF mode. For accurate exposure readings in tricky lighting conditions, the spot metering circle covers just 3.5 percent of the frame.
Control
The EOS 5D Mark II’s redesigned menu system includes a new Quick Control screen, for instant access to the most commonly changed settings. A new Creative Auto mode allows photographers to cede control of key settings to the camera, while retaining control over creative variables such background blur, drive mode and image brightness. Custom user settings allow photographers to switch between two completely different camera setups. This is ideal for changing quickly between two different environments, such as switching from working inside a church without flash to outdoors with fill-flash at a wedding.
Optional Accessories
Shooting flexibility is enhanced with a range of new accessories. Shooting capacity can be extended with either the high-capacity 1800mAh lithium-ion Battery Pack LP-E6, or Battery Grip BG-E6.
A new optional Wireless File Transmitter
The WFT-E4 offers external HDD and GPS compatibility along with ability to transmit images direct to computer or FTP server, or operate the camera wirelessly. Both the BG-E6 and WFT-E4 feature a vertical orientation shutter release and other key controls for comfortable portraiture work, with a substantial grip to help balance the camera when used with long lenses.
What's in the Box
New CMOS sensor
The EOS 5D Mark II’s newly designed full-frame 21.1-megapixel CMOS sensor features ISO sensitivity from 100-6400, expandable to 50, 12,800 and 25,600. Large 6.4µm2 pixels have been redesigned to capture more light and yield a better signal to noise ratio to ensure lower noise images throughout the ISO range. The full frame sensor has the same dimensions as a frame of 35mm film. This means that wide-angle lenses stay wide, without the change in angle of view associated with smaller sensor cameras. As well as benefiting from finer control over depth of field, photographers moving up to the EOS 5D Mark II’s full frame format will find the newly designed wide, bright 98 percent coverage viewfinder on a joy to work with.
New DIGIC 4 processor
A new DIGIC 4 processor combined with 14-bit analogue to digital conversion provides smooth gradations in mono-tonal areas such as skies, and highly accurate color rendition. As well as HD movie shooting, DIGIC 4’s high speed provides for long uninterrupted continuous bursts of large JPEGs, near-instant start-up times and immediate and fast review after shooting. DIGIC 4 also provides for improved noise reduction algorithms, complementing the already low-noise images from the EOS 5D Mark II’s CMOS sensor.
HD video capture
The EOS 5D Mark II is Canon’s first DSLR to incorporate full HD 1920x1080 video capture. Once filming is started from Live View mode, photographers can fire off either single of continuous stills, with video capture continuing after the final frame is captured.
See everything
A new 3.0-inch VGA resolution LCD provides a wide 170 degree angle-of-view, providing plenty of clarity for accurate focus checks in playback. The screen brightness can automatically adjust to suit viewing conditions, extending battery life in low light and improving viewing in bright conditions. A new dedicated Live View button switches modes to display a real-time image on the LCD. This allows EOS 5D Mark II photographers to enjoy simplified shooting from awkward angles. Simple connection to a PC provides easy remote shooting.
Precision focus and metering
A 9-point auto focus system is supported by 6 additional invisible Assist AF points, located inside the spot-metering circle to optimise subject tracking performance in AI SERVO AF mode. For accurate exposure readings in tricky lighting conditions, the spot metering circle covers just 3.5 percent of the frame.
Control
The EOS 5D Mark II’s redesigned menu system includes a new Quick Control screen, for instant access to the most commonly changed settings. A new Creative Auto mode allows photographers to cede control of key settings to the camera, while retaining control over creative variables such background blur, drive mode and image brightness. Custom user settings allow photographers to switch between two completely different camera setups. This is ideal for changing quickly between two different environments, such as switching from working inside a church without flash to outdoors with fill-flash at a wedding.
Optional Accessories
Shooting flexibility is enhanced with a range of new accessories. Shooting capacity can be extended with either the high-capacity 1800mAh lithium-ion Battery Pack LP-E6, or Battery Grip BG-E6.
A new optional Wireless File Transmitter
The WFT-E4 offers external HDD and GPS compatibility along with ability to transmit images direct to computer or FTP server, or operate the camera wirelessly. Both the BG-E6 and WFT-E4 feature a vertical orientation shutter release and other key controls for comfortable portraiture work, with a substantial grip to help balance the camera when used with long lenses.
What's in the Box
- EOS 5D Mark II Body
- Canon EF 24-105mm f/4 L IS USM lens
- Eyecup Eb
- Wide Neck Strap EW-EOS5DMKII
- Stereo Video Cable STV-250N
- USB Interface Cable IFC-200U
- Battery Charger LC-E6
- Battery Pack LP-E6
- EOS Digital Solution Disk
- Software Instruction Manual
Canon EOS 5D Mark II Digital SLR: Highly Recommended by dpreview.com
Back in August 2005 Canon 'defined a new DSLR category' (their words) with the EOS 5D. Unlike any previous 'full frame' sensor camera, the 5D was the first with a compact body (i.e. not having an integral vertical grip) and has since then proved to be very popular, perhaps because if you wanted a full frame DSLR to use with your Canon lenses and you didn't want the chunky EOS-1D style body then the EOS 5D has been your only choice. Three years on and two competitors have turned up in the shape of the Nikon D700 and Sony DSLR-A900, and Canon clearly believes it's time for a refresh.
So here is the 5D Mark II, which punches high in terms of both resolution and features, headlining: 21 megapixels, 1080p video, 3.0-inch VGA LCD, Live view, higher capacity battery. In other words, a camera that aims to leapfrog both its direct rivals, either in terms of resolution (in the case of the D700) or features (in the case of the DSLR-A900). Full detail below.
Key features / improvements
Back in August 2005 Canon 'defined a new DSLR category' (their words) with the EOS 5D. Unlike any previous 'full frame' sensor camera, the 5D was the first with a compact body (i.e. not having an integral vertical grip) and has since then proved to be very popular, perhaps because if you wanted a full frame DSLR to use with your Canon lenses and you didn't want the chunky EOS-1D style body then the EOS 5D has been your only choice. Three years on and two competitors have turned up in the shape of the Nikon D700 and Sony DSLR-A900, and Canon clearly believes it's time for a refresh.
So here is the 5D Mark II, which punches high in terms of both resolution and features, headlining: 21 megapixels, 1080p video, 3.0-inch VGA LCD, Live view, higher capacity battery. In other words, a camera that aims to leapfrog both its direct rivals, either in terms of resolution (in the case of the D700) or features (in the case of the DSLR-A900). Full detail below.
Key features / improvements
- 21 megapixel CMOS sensor (very similar to the sensor in the EOS-1Ds Mark III)
- Sensor dust reduction by vibration of filter
- ISO 100 - 6400 calibrated range, ISO 50 - 25600 expansion (1Ds Mark III & 5D max ISO 3200)
- Auto ISO (100 - 3200) in all modes except manual
- 3.9 frames per second continuous shooting
- DIGIC 4 processor, new menus / interface as per the EOS 50D
- Image processing features: Highlight tone priority, Auto lighting optimizer (4 levels), High ISO noise reduction (4 levels), Lens peripheral illumination correction (vignetting correction)
- RAW and SRAW1 (10 MP) / SRAW2 (5 MP)
- RAW / JPEG selection made separately
- Permanent display of ISO on both top plate and viewfinder displays
- AF micro adjustment (up to 20 lenses individually)
- Three custom modes on command dial, Creative Auto mode
- Image copyright metadata support
- 98% coverage viewfinder (0.71x magnification)
- 3.0" 920,000 dot LCD monitor with 'Clear View' cover / coatings, 170° viewing angle
- Automatic LCD brightness adjustment (ambient light sensor)
- Live view with three mode auto-focus (including face detection)
- No mirror-flip for exposures in Live View if contrast detect AF selected
- Movie recording in live view (1080p H.264 up to 12 minutes, VGA H.264 up to 24 mins per clip)
- Two mode silent shooting (in live view)
- New jump options in play mode
- HDMI and standard composite (AV) video out
- Full audio support: built-in mic and speaker, mic-in socket, audio-out over AV (although not HDMI)
- IrPort (supports IR remote shutter release using optional RC1 / RC5 controllers)
- UDMA CompactFlash support
- New 1800 mAh battery with improved battery information / logging
- New optional WFT-E4 WiFi / LAN / USB vertical grip
- Water resistance: 10 mm rain in 3 minutes
D7000 vs 60D battle (not a war) is like a battle of pride with no substance.
Another BIG BIG argument in the world of DSLRs now is the whole D7000 vs 60D argument. Many people love this argument because it is time for Nikon fans (not going to say they are fanboys, because I know there are some Canon fanboys too) to really blow their horns and tout superiority by numbers. Once again, I'll repeat, superiority by numbers. Why do mention this? It is because people allow numbers, specs and math to determine why they like a camera or system. Some people will argue that because the D7000 is a better specced camera, therefore, by transitivity, the D7000 will take better pictures by a long shot. What do the results show? Marginally better, is the probably the common thing noticed if anything is ever noticed between the photos. The D7000 has everything the 60D doesn't have and improves on it is another one I have heard several times that have caused Canon users to think, "Oh Nikon has a wonderful D7000, I think it is time to jump boat". I won't prevent them from doing so. But this argument is similar to that of girlfriends almost. Oh, that girlfriend has better "specs" that my current one, I think I will just dump this "system" and go to the Nikon. The word I would use to describe this is "Brand" insecurity. It isn't wrong to change systems. But the reasoning behind it needs to be thought over. I am afraid that some people are just insecure about their purchase that they need to be able to walk around town, events or show others to match the level of pride they have.
Back to this D7000 and 60D battle. Who is going to win? I actually wouldn't look it in that way. I would say, the D7000 and the 60D are both wonderful systems and both have proven to take wonderful pictures, hold up to weather effects, is durable (mind you, D7000 has magnesium alloy, but it isn't the entire body, only partial, its marketing getting to your head.), great ergonomics, has video capability, etc. There isn't a battle at all actually. It is just a bunch nerd battles like D&D with their character sheets. My camera has more strength and dexterity while the Canon has more charisma and constitution. See how irrelevant this argument and so called battle is? It is down to numbers and pride. The seaweed is always greener, in somebody else's lake.
Oh. Let's also put it this way. As I had mentioned about the order of being released. If the order of release was like 7D, 60D and T2i (equivalent) for the Nikon camp, the story and arguments would be just like canon's. D400, then D7000 and lastly D5000. People would have said, why doesn't the D7000 act more like the D400. That is my point.
The actual review of the 60D without trying to compare too much.
I have had the 60D for 2.5 weeks and have taken some videos and pictures with it at some events and some portraits. Some at low ISO and some at high ISO (3200 and 6400). Compared to the XSi, the pictures were better, but not immensely better. What was more important was the technique in taking the photo that made more of a difference. The 60D, with its better size and ergonomics (compared to Rebel series) really helped me to keep my hands steady and to choose the properly settings to get the pictures looking really nice without any post processing. I have used the remote flash trigger with great results and I really really like the camera. The price point now is just amazing for the 60D. And when the camera is put with the 24-70mm f2.8 and 50mm f1.4, the images are loved by all who I take a photo for. Is it because the camera that made the huge difference? No. But it did help me as a photographer to take better pictures.
The better photos at high ISO is attributed to Canon's research in sensors that they have put into the 7D. The images continue to look great even at high ISO. The articulated screen helps me take ninja candid shots without people noticing and that is something I wouldn't be able to get in T2i or the 7D. Some clients love this type of photography even though they don't like to be taken pictures of. I don't have to worry too much about the high ISO when taking these shots now as I can trust the 60D to resolve good photos in the end as long as I did my part as a photographer to keep the camera steady.
The price point of the camera with such good features is actually great. At $999 at the time of posting, is the even cheaper than the 50D when it came out. So if you are in the area and are looking to get th 60D, buy it, because you won't be disappointed as long as you don't feel insecure. The camera takes absolutely wonderful pictures indoor and outdoor. Videos are good and the same as the 7D and T2i. It is rugged, as mentioned by digital rev. I can't say much more to praise the camera. Buy it, don't look back and take photos. You by a camera to shoot photos, not so you can bring it to a party and compare specs and see who is better? Canon 60D, 4 stars, 1 star left so they can improve.
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